Special featuring performances by some of the great names of the last 25 years of rock music, using newsreel, cinema film and trailers, video tape, and rare film of concerts, rehearsals and interviews of eighty-two of rock's stars.

元レディース総長天野美也子。今は松みどりの湯の嫁として夫が戻るまでの留守を守っている。そんな中、再開発を狙う業者からの数々の営業妨害を受け、業者との権利書をかけた戦いが始まる。

The Planetary Outposts in Space Sector 219A have one by one fallen prey to a baffling infection. Inhabitants have given up their scientific and knowledge gathering initiatives and have instead resorted to mindless rampant consumerism & corporatised servitude culminating in the terrible and mega-ultra-destructive "Mighters March". Super Silver Base Alpha has sent their top space agent, Bronco Cedar, to investigate the latest outbreak on Outpost 11. Now he's gone missing, so as a last resort they've sent Buck Fiesta, their B-list agent with an itchy trigger finger and a chronic case of sarcasim, to sort things out. Along the way he'll enlist help from Zen master teleporter, The Red Arrow, obtain vital information from Agent Unknown, and confront an army of Temporal Ninjas led by the sassy evil mastermind of icebox fusion, Dr. Spider Jones. It will take 2 times the action, 2 times the special effects, and 2 times the rock 'n' roll to win the day.

Interviews with major musicians and political figures.

On 23 October 1984, a BBC News report on the widespread famine in Ethiopia shocked British audiences. Journalist Michael Buerk’s coverage of what was unfolding across the country was seen by Bob Geldof, who felt that he needed to do more than watch the devastation on his TV. Along with Ultravox frontman Midge Ure, Geldof sought to galvanize the musicians he knew into action. The result was the 1984 Christmas single Do They Know It's Christmas, followed some six months later by Live Aid. This four-part film charts what took place, with the first part screening at DocFest focussing on that initial report and the response to it. A fascinating account of recent history, it is also an incisive portrait of a movement intended to incite rapid, life-saving change.

Documentary about the making of Streets of Fire.

Filmed at the Rocket Mortgage Fieldhouse in Cleveland, Ohio, the 2021 Rock & Roll Hall of Fame Induction Ceremony honors inductees: Tina Turner, Carole King, The Go-Go's, JAY-Z, Foo Fighters, and Todd Rundgren; along with Kraftwerk, Charley Patton and Gil Scott-Heron; LL Cool J, Billy Preston and Randy Rhoads; Clarence Avant for the Ahmet Ertegun Award. The special music event also features a host of all-star presenters, performers, and special guests, including Angela Bassett, Christina Aguilera, Mickey Guyton, H.E.R., Keith Urban, Taylor Swift, Jennifer Hudson, Drew Barrymore, Paul McCartney, Lionel Richie, and many others.

Through filming my personal spaces and experiences of the world, I attempt to deal with a period of personal crisis. Although the images relate to personal circumstance indirectly, they are driven by an intense inward reflection, present in the image as an emotional energy. The act of filming reflects my experience of loss and at the same time is an attempt to ground the self in the world once more. The emblem of shadows recurs and points towards the heart of the film's journey - attempting to uncover one's inner darkness, in order to go forwards. The dark passages in the film are a result of dealing with a large amount of “fogged” camera material by bleaching and inverting it. The sequence order of both image and sound are composed entirely by chance.

A soldier, which army, which era, unclear. What’s clear is the evil he’s done. Faced with his impending mortality, he fears being judged in the afterlife. Only immortality will do. He meets a talking rock who promises just that - but he’ll first have to face his fiendish deeds...

Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. One day, she meets Gérald, her brother's former boyfriend, who persuades her to move into his apartment. He soon takes control over Sandrine's life, organizing erotic rendezvous for her, taking her to her clients and waiting for her until she is through with her task.